![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPrtzdyMj-8MDGH7XHm7q7ev0pzgNbT9Nrv2z4WX3Hld0P7QNY8ZA-BaYiaNacSaraAxRkdURjmOepRL4EwTh1ck5nOXLMVbwxVPZSW6ickEhxqmroE01ByUthpcwsIzDESPRdkmbJO1o/s400/Diana+Rigg+as+Regan.png)
One of the many, many-and-manifold reasons the Olivier Lear is so astounding is Diana Rigg. She can give a single look that embodies violence, death, and destruction. And she can do it right after a look that expresses the deepest empathy.
The clip below is from the end of Act III. That point in the play gives us one of the many, many-and-manifold decisions that a director must make that can change the timbre of the entire play. In blinding Gloucester, Cornwall has been injured; he asks Regan to help him. Take a look at how this Regan helps her husband:
Links: The film at IMDB.
Links: The film at IMDB.
Click below to purchase the film from amazon.com
(and to support Bardfilm as you do so).
(and to support Bardfilm as you do so).
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