“Milk.” By Carter Bays and Craig Thomas. Perf. Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris, Alyson Hannigan, Charlene Amoia, America Olivo, Carter Bays, and Craig Thomas. Dir. Pamela Fryman. How I Met Your Mother. Season 1, episode 21. CBS. 8 May 2006. DVD. Sony Pictures Home Entertainment, 2018.
“Benefits.” By Kourtney Kang. Perf. Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris, Alyson Hannigan, and Kim Kardashian. Dir. Kourtney Kang. How I Met Your Mother. Season 4, episode 12. CBS. 12 January 2009. DVD. Sony Pictures Home Entertainment, 2018.
“The Exploding Meatball Sub.” By Stephen Lloyd. Perf. Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris, Alyson Hannigan, and Jennifer Morrison. Dir. Pamela Fryman. How I Met Your Mother. Season 6, episode 20. CBS. 11 April 2011. DVD. Sony Pictures Home Entertainment, 2018.
“The Stinson Missile Crisis.” By Kourtney Kang. Perf. Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris, and Alyson Hannigan. Dir. Pamela Fryman. How I Met Your Mother. Season 7, episode 4. CBS. 3 October 2011. DVD. Sony Pictures Home Entertainment, 2018.
“The Broath.” By Carter Bays and Craig Thomas. Perf. Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris, and Alyson Hannigan. Dir. Pamela Fryman. How I Met Your Mother. Season 7, episode 19. CBS. 19 March 2012. DVD. Sony Pictures Home Entertainment, 2018.
“Bedtime Stories.” By Carter Bays and Craig Thomas. Perf. Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris, Alyson Hannigan, Lin-Manuel Miranda, Christopher Darga, and Michael C. Mahon. Dir. Pamela Fryman. How I Met Your Mother. Season 9, episode 11. CBS. 25 November 2013. DVD. Sony Pictures Home Entertainment, 2018.
Thanks are due to
ShakespeareGeek for calling my attention to some of these incidental Shakespeare references in the long-running sit-com
How I Met Your Mother. I found the others on my own through doggedly watching my way through the show, which I had heard of when it was being aired but never seen before.
Now that I've finished the entire run of the show, it's time to review the Shakespeare it offers. For other shows, I might have posted six separate posts, but I found myself not having too much to say about any one of these on its own. The great Kenneth Rothwell, in his classification of Shakespeare derivatives (for which,
q.v.), has a category called "Parasitical." Works in that group "will exploit Shakespeare for embellishment, and / or graft brief visual or verbal quotations onto an otherwise unrelated scenario” (209). Although
How I Met Your Mother certainly uses Shakespeare in this way, I feel that its intention isn't the negligible or manipulative one implied in Rothwell's "Parasitical" grouping. Indeed, it seems to ask for an additional category, and I propose "Incidental Shakespeare."
I found How I Met Your Mother to be very cleverly written (and to contain at least one very annoying, very objectionable character, but that's by the way), and its use of Shakespeare is both casual—the way Lord Peter Wimsey and Harriet Vane simply have Shakespeare as part of their everyday vocabulary) and obscure. They're not trying to raise the tone of the show by throwing a Shakespeare sop to the Cerberus of Shakespeare aficionados; it's just naturally a part of the cleverness of the writing and of the characters.
Here, then, are the relevant Shakespeare allusions in How I Met Your Mother compiled in the clip below. I'll offer a bit of context first, and then you may enjoy them all the more. Note: None of these contain major spoilers, but there may be some minor ones. Continue at your own risk.
The first Shakespeare reference comes in a Season One episode entitled "Milk." Barney (the annoying, objectionable character alluded to earlier) has concocted an elaborate pick-up line that involves hiring actors to play the role of paramedics. The Shakespeare comes when he mentions the play they're doing locally:
Troilus and Cressida. It's not one of the most well-known plays, and perhaps the joke is all the funnier for that.
Note: The men playing the paramedics are also the writers credited on this episode.
In "Benefits," Marshall struggles to overcome his reluctance and embarrassment about using the bathroom at work. When he's achieved that end, he's commended by Kim Kardashian (appearing on the cover of his magazine) with a quote from Shakespeare: "Virtue is bold, and goodness never fearful." Again, this is marvelously obscure. It's a line spoken by the Duke in Measure for Measure (for those of you keeping track, it's Act III, scene i, line 208). Note: The clip below has a typo in the episode number—it should be episode 12, not episode 2. Needing space on my hard drive, I had already erased the files before starting this post, and recreating it all from scratch would have been overwhelmingly onerous. I apologize.
The issue raised in "The Exploding Meatball Sub" is near and dear to the work Bardfilm does. Ted and his then-girlfriend Zoe are arguing over whether a film is a derivative of a Shakespeare play or of some other classic work of literature. I'll let you watch that one for the details and the humorous reveal. Note: Despite some internet chatter on the subject, the Shakespeare play in question is not Hamlet.
By the time we get to "The Stinson Missile Crisis," we have learned that (minor spoiler) Marshall and Lily are having a baby. Ted very much wants to be on "Team Baby," and he can't recognize that, in this as (possibly) in other ways, he's a third wheel to Lily and Marshall. In his defense, he offers famous trios that wouldn't be the same without the third element: "Salt and Pepper and Cumin" is one; "Romeo and Juliet and the Apothecary" is another.
Note: I've extended this clip a bit beyond the mere Shakespeare because I admire the work that went into the Famous Trio Halloween Costumes.
And then we have "The Broath," whose title is a play on the idea of a "Bro Code" that men are supposed to follow. Playing on the same idea, we get a bit of Julius Caesar.
Finally, we get one Shakespeare quote in a Dr. Seuss-like poem that Marshall is telling (minor spoiler) his baby to keep him quiet on a long bus ride. There's nothing wrong with a little Henry V . . . and, yes, that is Lin-Manuel Miranda. Note: I've let this one go on beyond the Shakespeare to show him and to wrap up the rhyme scheme.
With all that in mind, give all those Shakespeare references a try:
Perhaps "Incidental Shakespeare" isn't quite right either. "Pervasive Shakespeare" might fit better.
But whatever you call it, it shows that Shakespeare is still useful and relevant.
Links: The Series on IMDB.
Click below to purchase the complete run of the show from amazon.com
(and to support Bardfilm as you do so).