Thursday, August 7, 2025

Book Note: Drury Lane's Last Case

Queen, Ellery [Barnaby Ross, pseud.]. Drury Lane's Last Case: The Tragedy of 1599. Little, Brown, 1946.

Unavoidably (at least for me), when I started planning a course called "Studies in the Novel: Mystery and Detective Fiction," I gravitated toward the Shakespearean possibilities. Ngaio Marsh will make an appearance with her Death at the Dolphin (for which, q.v.), though not with her Light Thickens (for which, q.v.). Agatha Christie's Nemesis (for which, q.v.) may be assigned to a group—but for reasons besides its use of Shakespeare.

But I've also been exploring novels that have some sort of Shakespearean connection that I'd not previously read.

Ellery Queen (under the pseudonym Barnaby Ross) has written four Drury Lane novels; this, as may be evident by the title, is the final one.

I came to Drury Lane's Last Case without encountering the hearing-impaired, lip-reading, former-Shakespearean-acting amateur detective in the other novels (The Tragedy of X, The Tragedy of Y, and The Tragedy of Z for those of you keeping score), and I think having done so would have increased my enjoyment of this one—but it also worked very well as a standalone mystery.

During Shakespeare's lifetime, a volume of poetry entitled The Passionate Pilgrim was published under Shakespeare's name—though only about 25% of the poems were authentically by Shakespeare. Its first edition was printed in 1599 (or, possibly 1598); a second, expanded edition was printed in 1612. 

As Grandmother Jones used to say, I told you that to tell you this. Part of the plot of Drury Lane's Last Case involves the theft of the rare 1599 edition of The Passionate Pilgrim . . . and its immediate replacement with the even rarer (in the world of the novel; elsewhere, it's non-existent) 1606 edition!

All that is part of a larger mystery, but that's the primary Shakespearean connection.

Here's a representative chapter (apologies for the difficulty of reading the later pages, but I didn't want to damage the binding of the 1946 edition I had in hand):






The mystery is solid and intriguing (though the m-e-t-h-o-d o-f l-o-v-e in the romantic subplot is by no means modern). Give it a try!

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Bonus Image: The Title Page of the 1946 Edition
Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).

Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2039 (and into perpetuity thereafter) by Keith Jones.

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