“Earshot.” By Joss Whedon and Jane Espenson. Dir. Regis Kimble. Perf. Sarah Michelle Gellar, Nicholas Brendon, and Emma Caulfield. Buffy, the Vampire Slayer. Season 3, episode 18. The WB Television Network. 28 September 1999. DVD. 20th Century Fox, 2010.
The same reader who pointed me toward the possibility of a Titus Andronicus reference in Buffy, the Vampire Slayer (for which, q.v.) gave me a tip about the show's use of Othello.
This one was much easier to find—though you can see by the subtitles that I chose to watch this at three times the speed (which is a reflection on my limited time rather than on the show's value). Buffy has developed the ability to hear what other people are thinking, and she uses it to (1) act like she knows the right answers in class and (2) reach an epiphany about her own jealousy. I'll let the clip speak the rest for itself:
Links: The Episode at IMDB.
Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).
Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2016 (and into perpetuity thereafter) by Keith Jones.
The very instant that I saw you did / My heart fly to your service; there resides, / To make me slave to it; and, for your sake, / Am I this patient [b]log-man.