Friday, October 31, 2025

Book Note: Nine Girls

Pettitt, Wilfrid H. Nine Girls: A Play in a Prologue and Two Acts. The Dramatic Publishing Company, 1943.

I need to post this today so that I don't lose my one-post-a-month streak!

My university recently put on a production of Nine Girls, a murder mystery play from 1943. It was a very good production of a pretty good play.

And it has some Shakespeare in it!

The plot involves eight women—all part of the same sorority—who are off in a cabin in the woods when they hear the news that a ninth woman of their fairly-tight-knit group has been murdered. The news bulletin actually interrupts the radio Shakespeare program that they were (some happily, some less so) listening to:


Note: Spoilers follow.

It turns out that one of their number is the murderer—and she murders a second time to cover up the first.

Later, Sharon (our resident Shakespeare Freak) enters, practicing for her role as Lady Macbeth:


I'm very fond of that comedic moment.

The play itself is fair (though our actors performed it quite wonderfully), and it's a useful play to have on hand if you have far more female Theatre majors than male.

As a final image, I'll provide you with the original set:


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Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).

Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2039 (and into perpetuity thereafter) by Keith Jones.

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