Day, Barry. Sherlock Holmes and the Globe Murders. London: Oberon, 1997.
Based on the quality of the book, the quality of the writing, and the excessive number of typos and inconsistencies, I think Oberon Press must be a vanity press—a self-publishing haven.
That said, Sherlock Holmes and the Globe Murders is not that terrible. At its best, it sounds like a long-lost Sherlock Holmes novel. At its worst, which is mainly in the dialogue sections, it sounds both cliché and anachronistic.
It's the plot that made the novel worth reading. A group in Sherlock Holmes' London is working on rebuilding the Globe Theatre to give Londoners an authentic experience of how many of Shakespeare's plays were originally staged. But not everyone is happy about that—especially the person who keeps sending threatening quotes from Shakespeare plays to the actors and entrepreneurs involved.
Then people start dying in ways that are related to various deaths in Shakespeare's plays. It's somewhat reminiscent of the Vincent Price film Theatre of Blood (for which, q.v.), but with the sharp-eyed detective on the case.
Here's a quick sample:
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Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).
Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2039 (and into perpetuity thereafter) by Keith Jones.
—The Tempest
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