With all the pleasant chatter about The Sound of Music, I thought it might be time to comment on the two allusions to King Lear cleverly worked in to the lyrics of two songs. Additionally, each allusion is repeated to underscore its intentional use of Shakespeare.
The first allusion is actually a quotation. The quote comes in the song "How do you Solve a Problem Like Maria?" Of the three words proposed as apt synonyms for or definitions of "Maria," the first is "Flibbertigibbet." Although it's possible that Rogers and Hammerstein got the word directly from Samuel Harsnett's A Declaration of Egregious Popish Impostures (1603), my own scholarly opinion is that it derives directly from Edgar's speech in Act III of King Lear: "This is the foul fiend Flibbertigibbet" (III.iv.115). [Note: The third possible definition of "Maria"—"A clown"—may allude to Twelfth Night's Feste, but I won't press the point.]
The second allusion is to a speech Lear gives in Act I. When Cordelia seems reluctant to speak publicly about her love for her father, he says, "Nothing will come of nothing: speak again" (I.i.90). This finds its way into "Something Good" late in the film. It's been transmuted slightly into the line "Nothing comes of nothing," but the allusion is plain.
I've conflated these allusions into the following file. Ponder their significance:
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3 comments:
King Lear is my favorite play, not that I've read that many, but it is my favorite. I never thought about "Nothing comes from nothing" as alluding to Lear, but I think you are right. As far as the other reference you cited, I will look up and reread. This was very interesting and insightful. Thanks for the post and footage.
--Average Mom
And doesn't Maria get herself to a nunnery?
Lovely, anonymous. And thanks for posting that on November 16, the anniversary of the day the show debuted on Broadway!
kj (Bardfilm)
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