"One, Two, Buckle my Shoe." By Clive Exton. Perf. David Suchet and Philip Jackson. Dir. Ross Devenish. Agatha Christie's Poirot. Season 4, episode 3. ITV. 19 January 1992. DVD. Acorn Media, 2001.
Shakespeare, Agatha Christie, Hercule Poirot, and India meet in this made-for-television adaptation of Christie's One, Two, Buckle my Shoe.
It's hard to write about mysteries because it's too easy to give the game away and spoil it for some future reader or viewer, so I won't say too much about the plot. But near the beginning of the show, we're treated to the end of a production of Much Ado About Nothing put on in India by English actors for an almost-exclusively English audience. As the plot rolls out, the connections between the unmasking in the scene and the unmasking of the guilty party or parties becomes clearer and clearer.
Here's the Shakespeare (which is what you're here for, after all):
Links: The Episode at IMDB.
Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).
Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2016 (and into perpetuity thereafter) by Keith Jones.
The very instant that I saw you did / My heart fly to your service; there resides, / To make me slave to it; and, for your sake, / Am I this patient [b]log-man.