The Shakespeare Quartos Archive compares two copies of Q1 of Hamlet that are physically located roughly 5,431 miles apart.
A few small flurries of interest in The Shakespeare Quartos Archive have been fluttering around recently, and it is a magnificent endeavor. Currently, a very large number of Hamlet quartos are available for instantaneous comparison, with differences between the texts helpfully highlighted in the text display.
It's lovely, and it will become even more lovely as quartos from other plays are added.
I'm still very fond of The British Library's on-line quarto holdings, so don't leave them out of the picture!
At some point, I'd like to sit down and do a detailed analysis of the various quartos of Hamlet for myself. My starting point will be simply reading through Q1 of the play to see what we might make of it. Can anything, for example, be deduced about Hamlet's relationship to Ophelia by an examination of Q1 alone? Alas, that must wait until another day.
Links: The Shakespeare Quartos Archive. The British Library.
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Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).
Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2039 (and into perpetuity thereafter) by Keith Jones.
—The Tempest
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