“The Ensigns of Command.” By Drew Deighan, Ronald D. Moore, and W. Reed Moran. Perf. Patrick Stewart, Jonathan Frakes, LeVar Burton, Michael Dorn, Gates McFadden, Brent Spiner, and Paul Winfield. Dir. Les Landau. Star Trek: The Next Generation. Season 3, episode 2. Syndicated television. 19 March 1990. DVD. Paramount, 2002.
“The Outrageous Okona.” By Burton Armus. Perf. Patrick Stewart, Jonathan Frakes, LeVar Burton, Michael Dorn, Brent Spiner, Billy Campbell, and Whoopi Goldberg. Dir. Robert Becker. Star Trek: The Next Generation. Season 2, episode 4. Syndicated television. 12 December 1988. DVD. Paramount, 2002.
Since I’ve added to the total sum of human knowledge by pointing out three episodes from the Original Series of Star Trek that draw their plots from Shakespeare, I thought I’d try to double that sum by pointing out three Star Trek: The Next Generation episodes that do the same.
“Birthright, Part 1” is a derivative version of Hamlet. Sort of. In it, Worf has been told that his father—a father treacherously killed—is still alive, and he goes to seek him. Hamlet, of course, finds a ghost; Worf finds a group of Klingons, but not his father.
He does, on the other hand, find a Horatio analogue—one who paraphrases I.ii.211-12 (“I knew your father. / These hands are not more like”) into “I knew your father well, Worf” (see image above).
In “The Ensigns of Command,” a group of aliens called “The Sheliak” are notorious for wanting to stick to the exact wording of a written contract. Eventually, the specifics of the contract itself are employed against them (see the image below, which contains a segment of the Treaty of Armens—Paragraph 1290, the “Third Party Arbitration Clause,” to be specific).
Well, that’s clearly a version of The Merchant of Venice, right?
You might not be convinced—yet. Take another look at the aliens’ name. They are the Sheliak. Sheliak. Shyliak. Shyloiak. Shylock! Yes, Shylock has been extended into an entire alien species, still crying, “I crave the law” (IV.i.206)!
Finally, “The Outrageous Okona” gives us a Romeo and Juliet. Yes, I’m grasping at straws here. There are two households, both alike in dignity, and neither one wants their child to marry the child of the other. Yup. Romeo and Juliet. Only less tragic. And in space.
Next time, there are some miscellaneous things to wrap up, but we are nearly at the end of our lengthy survey of Shakespeare and Star Trek.
For more connections between Star Trek and Shakespeare, head to Shakespeare and Star Trek Complete.
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