Prince of the Himalayas [Ban dao yin xiang; a.k.a. Ximalaya wangzi]. Dir. Sherwood Hu. Perf. Purba Rgyal, Dobrgyal, Zomskyid, Sonamdolgar, Lobden, and Lopsang. Hus Entertainment, Shanghai Film Studios. 20 October 2006.
Thanks to a generous grant from Northwestern College, I will be able to attend the Shakespeare Association of America's Annual Convention this year (in Bellevue, Washington). The prospect is absolutely thrilling. Not only will the Taiwan Bangzi Company present a play adapted from The Merchant of Venice, but the conference will also screen a film entitled Ban dao yin xiang (Prince of the Himalayas), a derivative of Hamlet set in Tibet. Scholars in other parts of the world have been able to view and to write about that film, but it is virtually impossible to find a way to see it in the United States (two universities in Australia own non-circulating copies, but I have not been able to find it elsewhere). And (as if that weren’t enough), a concert of songs related to Ophelia will be performed during the convention. These songs will cover both global and historical perspectives on Ophelia and on the texts she sings in Hamlet.
Wait! There's more! The speakers at the conference include some of the most important Shakespeare scholars of the day: Stephen Orgel, Paul Yachnin, Russ McDonald, Karen Newman, David Bevington, and others are scheduled to speak this year.
Look for posts from Bardfilm about the Asian adaptations and derivatives presented at the conference. The Prince of the Himalayas (a.k.a. The Fresh Prince of Bellevue) promises to be exceptionally interesting for the study of global Shakespeares.
Links: The Film at IMDB.
Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).
Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
All material original to this blog is copyrighted: Copyright 2008-2020 (and into perpetuity thereafter) by Keith Jones.
The very instant that I saw you did / My heart fly to your service; there resides, / To make me slave to it; and, for your sake, / Am I this patient [b]log-man.