Sunday, March 9, 2025

Love's Labour's Lost at the Shakespeare North Playhouse

Love's Labour's Lost
. Adapted by Elizabeth Godber and Nick Lane. Dir. Paul Robinson. Perf. Alice Imelda, David Kirkbridge, Thomas Cotran, Alyce Liburd, Linford Johnson, Annie Kirkman, Jo Patmore, and Timothy Adam Lucas. Produced by Shakespeare North Playhouse and Stephen Joseph Theatre. 7–22 March 2025.

Thanks to a generous grant from the Faculty Development Committee at the University of Northwestern—St. Paul, another faculty member and I were able to take three students double-majoring in English and Theatre to Liverpool to work on performing Shakespeare—both individually and with the students of Liverpool Hope University

As part of the week's activities, we were able to go to the relatively-new Shakespeare North Playhouse to hear their vision for the theatre and to see their production of Love's Labour's Lost.

The physical theatre is quite remarkable. It's a replica of the Cockpit-in-Court Theatre designed by John Webb, protégé of Inigo Jones. You can find much more fascinating information about the new theatre, its design and construction, and its uses in The Shakespeare North Playhouse: Replica Theatres and their Uses (edited by Tim Keenan, Routledge, 2024). 

The vision for the theatre is impressive, and the programs we were told about cover a wide range of activities, both entertaining and educational, that are designed to serve the people of Prescott (the theatre's home) rather than the other way around.

I could say much more about all of that, but I don't want to lose the opportunity to promote the current show at Shakespeare North.

The Love's Labour's Lost we saw has the subtitle (More or Less). It's Shakespearean in its plot and in its fun play with language (much of the dialogue is in rhymed couplets), but it's a loose retelling of Love's Labour's Lost rather than a staging of Shakespeare's words. It also incorporates quite a number of popular songs from the 1980s and 1990s to tell its story.

And it's really quite marvelous and exciting. The eight actors take us on a whirlwind journey with every one of Shakespeare's plot twists (and a few of their own), and we were enthralled from beginning to end.

If you're in the UK, book your tickets now. It's a show well worth seeing—even if you have to travel a distance to do so!

I'll leave you with a few pictures of the theatre itself (note the prominent disco ball, please). 




Go see the show. You won't regret it!

Bonus: The production has put together a Spotify playlist of the songs they sing (in whole or in part) during the show. When you get to Cher's "The Shoop Shoop Song (It's in his Kiss)" imagine our three male leads performing it—each dressed as Cher. If you're undecided or skeptical, that may give you just the push you need to book your tickets!


Links: Shakespeare North Playhouse. Tickets for the performance.

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Bardfilm is normally written as one word, though it can also be found under a search for "Bard Film Blog." Bardfilm is a Shakespeare blog (admittedly, one of many Shakespeare blogs), and it is dedicated to commentary on films (Shakespeare movies, The Shakespeare Movie, Shakespeare on television, Shakespeare at the cinema), plays, and other matter related to Shakespeare (allusions to Shakespeare in pop culture, quotes from Shakespeare in popular culture, quotations that come from Shakespeare, et cetera).

Unless otherwise indicated, quotations from Shakespeare's works are from the following edition:
Shakespeare, William. The Riverside Shakespeare. 2nd ed. Gen. ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1997.
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